Warren Ellis’s Dead Pig Collector was released this week as a Kindle Single, and with it came a whole heap of extras. To wit: there’s an online excerpt, an author interview, another piece of fiction, and also an accompanying music playlist created by the author. (In that interview, he remarks that his next novel will be based on this talk he gave two years ago.)
The Telegraph catches up with John Simpson as he prepares to retire from his role as chief editor for the Oxford English Dictionary. “I used to keep a notebook in my pocket in case I came across new words,” Simpson says at one point. “That worked until I put my trousers in the washing machine.”
“The New York Times said goodbye to roughly a hundred editorial staffers, with a similar number gone from the Wall Street Journal. Condé Nast might be shuttering Details and Self and will possibly unleash a bloodbath in the fall. Time Inc., Meredith Corporation, and Prometheus Global Media—owner of the Hollywood Reporter, Billboard—and other outlets have all recently cut costs.” Noah Davis on online journalism and the current state of affairs for writers, over at The Awl. Pair with Kate Angus's essay on making money as a poet.
You must obey (and read) your robot overlords! As if winning a literary award wasn't already hard enough, a story co-authored by computers just made it through at least one round of judging at the Nikkei Hoshi Shinichi Literary Award competition in Japan. But don't worry, you haven't lost your job quite yet–the good news is that the programs still have "some problems … such as character descriptions.”
"The Colbert Bump didn’t get so much media attention and public support because everyone wanted to talk about me and my novel. People wanted to support book culture, to say that books and writers matter, and that we should be doing everything we can to ensure their continued existence, if not their success. In short, The Book is not dead!" Our own Edan Lepucki and Stephan Eirik Clark talk about their experiences as debut authors on "The Colbert Bump," and the piece pairs nicely with Edan and Millions staff writer Bill Morris's article about the many paths writers follow to publication.
Writing in The Guardian, Colm Tóibín explores the "inspiring, rivalrous, Oedipal" relationships between authors and their parents. The article's been adapted from his forthcoming book, New Ways to Kill Your Mother: Writers and Their Families