If at some point in your life you lose a beloved pet, and if, while mourning, you decide to write an obituary, know this — whatever you write will not be as good as E.B. White’s tribute to his dog. (You can read more pieces like it in the perfectly-titled E.B. White on Dogs.)
Forget the Dos Equis guy. John Fairfax was truly "the most interesting man in the world" and, if you don't believe me, read this series of lines from his actual obituary: "At 9, he settled a dispute with a pistol. At 13, he lit out for the Amazon jungle. At 20, he attempted suicide-by-jaguar. Afterward he was apprenticed to a pirate."
Harold Bloom turns eighty-five this year, which makes it all the more impressive that his forty-fifth book, The Daemon Knows, comes out this week. At Vulture, Amy Bloom (no relation) has tea and scones with the Yale professor, who talks about Emily Dickinson, Walt Whitman and why a critic called his new book “an invectorium.” You could also read Matt Hanson on his last volume of criticism.
New this week are Anita Desai's The Artist of Disappearance and P.D. James' Pride and Prejudice sequel Death Comes to Pemberly. Joseph Gordon-Levitt hangs up his acting duds to put out The Tiny Book of Tiny Stories: Volume 1, and, speaking of tiny stories, there's Lou Beach's 420 Characters: "these crystalline miniature stories began as Facebook status updates." On the nonfiction side, there's Extra Virginity: The Sublime and Scandalous World of Olive Oil by Tom Mueller.