“Contemporary criticism is positively crowded with first-person pronouns, micro-doses of memoir, brief hits of biography. Critics don’t simply wrestle with their assigned cultural object; they wrestle with themselves, as well. Recent examples suggest a spectrum, from reviews that harmlessly kick off with a personal anecdote, to hybrid pieces that blend literary criticism and longform memoir.” On why critics get personal in their essays.
Denise Donlon writes on the day MuchMusic rocked the tube. Peter Mansbridge details when baseball player Jackie Robinson broke the color barrier. And Conrad Black outlines a train trip by Canada’s first prime minister. Those are but a few of the essays by well-known Canadian personalities in the new book 100 Days That Changed Canada (HarperCollins Canada), now in stores.
Thomas Pynchon defined what he termed “vintage Barthelmismo” as “fictions thoughtfully concocted and comfortably beyond the reach of time.” This moving tribute to Donald Barthelme by Padgett Powell from the forthcoming anthology, A Manner of Being: Writers on Their Mentors, is right in line with Pynchon’s sentiment. Here’s another Barthelme mention from The Millions that you may be interested in.
Coincident with the release of her new novel, Marie-Helene Bertino published an excerpt in the latest issue of Granta. It features, among other things, a character using the phrase “better-him-than-me kind of park.” You could also read Bertino's interview with Jessica Gross, which followed the publication of her debut book of short stories.