The new year is, of course, a time for resolutions, and Electric Literature has collected literary resolutions from Alexander Chee, Year in Reading alum Emily Gould, Yelena Akhtiorskaya, and many more. Coming out of the hectic holiday season, Jonathan Lee's resolution seems particularly apt: “My literary new year’s resolution is to read slower. I want to try and re-discover the kind of reading where you savor every page instead of thinking about unread emails, progress through the book, progress through the to-be-read pile, and the quantity of remaining tea bags in cupboard.”
In the latest issue of Harvard magazine, Nathan Heller writes about Arion Press, the last remaining “full-service letterpress in the United States.” Apparently Arion, which has “an in-house foundry where lead is melted into ingots,” sells editions of canonical titles (like Ulysses) that retail for thousands of dollars. (h/t our own Kevin Hartnett)
“Why Facebook? Why this format?... The striking thing about the real Zuckerberg, in video and in print, is the relative banality of his ideas concerning the ‘Why’ of Facebook. He uses the word ‘connect’ as believers use the word ‘Jesus,’ as if it were sacred in and of itself...” Zadie Smith considers “Generation Why” and The Social Network at the New York Review of Books. Our own review of The Social Network by Sonya Chung can be found here.