“I wanted to be really careful about not pretending to write The Transracial Adoptee’s Experience, because (1) there is no such thing, it’s going to be different for everyone, and (2) I feel strongly that those stories should be told by the adoptees themselves, if they choose to share them,” Year in Reading alum Celeste Ng, author of Little Fires Everywhere, in conversation with Nicole Chung.
After visiting more than 2,000 of America’s independent bookstores, Kate Brittain found herself thinking their demise might not be so inevitable. The cards, she writes, remain stacked against them, but they nonetheless offer a few things that may well keep them in demand. Pair with: our tribute to e-book pioneer Michael Hartt.
If you're looking forward to the next Margaret Atwood novel, you'll have to wait a century. Atwood is the first author to participate in the Future Library project, in which 100 authors will write 100 original manuscripts to be published 100 years from now. We're envious of our grandchildren. If you'd like an Atwood fix sooner, her short story collection Stone Mattress: Nine Tales comes out next week.
“When is it plagiarism, when is it homage? Especially in creative writing, I get tripped up on this distinction. A trick for writer’s block: write an imitation, steal moves, learn by mimicry. For my own poem-writing, I turn to other texts all the time. I pull language, take a word I like, sometimes fragments of phrases and twist them. I get inspired, I want to model after poems I fell madly for.” On discovering another writer’s plagiarism.